Photography is a way of being in the world.
I work very slowly, observing and returning to places, letting time distill the images.
I rarely think of a photograph as something individual, something that will remain there. Photojournalism is my natural medium, and the sequence, the series, or the set of images is what I tirelessly seek.
My projects arise from encounters with people, with territories, and with traditions that still resist the passage of time, threatened by disappearance. And it is precisely this resistance that I dare to document.